Shot Number
|
Technical sound description
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Effects on meaning/ sound
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1
|
Sound motif, orchestral
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Recognisable- audience is familiar with the company
so they believe the film will be good
|
2
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Sound bridge, dark, non-diegetic, voice over
|
Makes the words more powerful and meaningful as
nothing on screen so makes audience more engaged. Mysterious.
|
3
|
On screen diegetic, rising
|
Makes audience jump- visceral pleasure. Unexpected
sound suddenly comes on.
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4/5
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Foley track, on screen diegetic
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Water is really loud- emphasises he is struggling,
no music in background so we can hear him deep breathing really loudly.
|
6
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Non diegetic, parallel
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Only hear water suggests that the man is going to
die, we can hear what he can hear in the film.
|
7
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Voice over, off screen diegetic.
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Voice goes well over the sound of the water which
makes it scarier, serious voice.
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8/9
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Menacing, ominous, non-diegetic, sound bridge
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Hear baby crying in background, hear clock ticking
every time he takes a step could be his memories and we can still hear water
which tells the audience that he is still under water.
|
10
|
Voice over, non diegetic, no music- silence
|
No music only him talking and the water in the
background this makes it more serious.
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11
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Ominous, rising (door), repetitive
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Hear door open- makes audience expect something to
happen. Clock starts ticking again which suggests that his time is up.
|
12
|
Sound bridge, non diegetic , rising
|
Still hear water and clock ticking but a child’s toy
has been added- more tense and could suggest his memories.
|
13
|
Non diegetic, rising
|
Clock has become really loud which emphasises the
point that his time is nearly over.
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14
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On screen diegetic, eerie
|
Finally see the child’s toy we have been hearing so
the audience are given another clue to what is going on.
|
15
|
Sound bridge, voice over, non diegetic
|
Hear him speaking again but no image which implies
everything has ended .Hear sirens in the background suggests that it is
either before or after he died.
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16
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Non diegetic, on screen diegetic
|
The audience are fully engaged and now want to know
what happens. Shown where it is set and time, beginning of story.
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This task will help when choosing the sound for our opening sequence, as this sequence I analysed, I found the sound was the key thing that appealed to the audience.
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